Pedestrian Dharma: Slowness and Seeing in Tsai Ming-Liang’s Walker
By Teng-Kuan Ng
1 pageTo present slowness and simplicity as prophetic counterpoints against the dizzying excesses of the contemporary metropolis; and to offer contemplative attentiveness as a therapeutic resource for life in the modern world.
This paper studies the ways that Walker, a short film by the Malaysian-Taiwanese auteur Tsai Ming-Liang, visualizes the relationship between Buddhism and modernity.
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